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A fervent chamber music collaborator, Ms. Phillips recently teamed with bass-baritone Eric Owens for a recital of all Schubert which they have taken on tour in Chicago with members of the Chicago Symphony Orchestra, at the Gilmore Festival, and Philadelphia Chamber Music Society. In August , Ms. The same year saw the release of Paysages, her first solo album on Bridge Records, which was hailed as "sumptuous and elegantly sung" San Francisco Chronicle.

In , Ms. She returns frequently to her native state for recitals and orchestral appearances. Canadian baritone Elliot Madore has been praised for his "movie star quality" Merkur and "exceptional" artistry New York Times. At the Tanglewood Festival, Mr. Madore has also recently performed recitals in New York, Winnipeg, and Philadelphia. Canada's Music Future" Series. He was also the winner of the Palm Beach Vocal Competition.

Italian bass-baritone Luca Pisaroni has established himself as one of the most charismatic and versatile singers performing today. Since his debut at age 26 with the Vienna Philharmonic at the Salzburg Festival, led by Nikolaus Harnoncourt, Pisaroni has continued to bring his compelling artistry to the world's leading opera houses, concert halls, and festivals. This season, Mr. He has also been a featured soloist in Beethoven's Symphony No.

In addition to his extensive opera and concert appearances, Pisaroni has presented critically lauded recitals at Carnegie Hall, Wigmore Hall, the Teatro de la Zarzuela, the Concertgebouw, Edinburgh Festival, Vienna's Musikverein, the Vancouver Recital Society, and the Dortmund Konzerthaus, among other prominent international venues.

Luca Pisaroni lives in Vienna with his wife, Catherine.


Their golden retriever Lenny 2. Paul Plishka is a notable American bass singer, known for a wide range of major and supporting roles. Both his parents were American-born children of Ukrainian immigrants. As a boy, he was interested in farming and football, but also took guitar lessons. His teacher insisted that he learn to sing while playing, so he would sing popular songs such as Love is a Many-Splendored Thing.

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When his father moved to a new job in Paterson, New Jersey, Paul, joined the school chorus. Soon, he was offered the part of Judd Fry in the school production of Oklahoma! He was spotted by Armen Boyajian, who was starting a local opera workshop. Meanwhile, Boyajian taught him singing. Plishka was his first student, and Boyajian was Plishka's only teacher. This earned him a contract with the national touring company of the Met during what turned out to be its final year.

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After that, they offered him a contract to be a cover understudy singer in buffo parts. As a member of the Met company, Paul Plishka earned a reputation as a "house singer," a term which, when the house is of the caliber of the Met, is respectable, but which also carries an implication that the singer somehow lacks some ingredient required for stardom. He was reliable; he did performances in his second season, with Boyajian listening carefully to all of them and making needed corrections at any sign of strain from this heavy schedule.

The roles were generally small ones, but each season Plishka got opportunities the next season to sing roles of increasing importance and depth, so he remained attached to the Met. After several years, Paul Plishka began appearing widely in other houses, taking major parts. He made his Milan's La Scala debut with the same role, also in Paul Plishka has been admired in many important roles since his debut at the Metropolitan Opera, where he sung well over 1, performances.

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Paul Plishka has sung in almost all the major bass parts in several leading opera theaters. He is also a renowned concert singer, and has sung with many leading symphony orchestras and conductors. The singing was superb.

It was the second time I had seen Calais - and it didn't let me down! The Wild Man was well performed - especially the performance of Peter Brathwaite whose singing and acting were faultless. When it came to Boheme, my handky was soaked!! But often it is just the beauty of the music: however, this time I would say I have never seen the final scene so beautifully and convincingly acted and sung.

So, from a very enthusiastic supporter, all praise and congratulations. Said Francesca at am on 13th Apr We look forward with anticipation to the Autumn programme! Congratulations to all concerned. Said R. Sanner at pm on 12th May Stupendous performance at Cambridge Arts Theatre. Beautifully sung and wonderfully accompanied by the orchestra. They let Puccini flow, gave the music time and let emotion take over. Act 3 set - the BEST ever. Said Lucian Hatfield at pm on 29th May What an introduction to live opera!!

Awsome production, superb voices, excellent acting. Had my wife in tears - I just managed to hold back! What next in the opera journey? Said Steve Knowles at am on 2nd Jun Like most websites, we use cookies to facilitate online booking and to ensure we give you the best possible experience on our website.

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